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:''This article is about the play. For the restriction enzyme ''NotI'', see restriction enzyme.'' ''Not I'' is a short dramatic monologue written in 1972 (March 20 to April 1) by Samuel Beckett, translated as ''Pas Moi''; premiere at the "Samuel Beckett Festival" by the Repertory Theater of Lincoln Center, New York (22 November 1972), directed by Alan Schneider, with Jessica Tandy (Mouth) and Henderson Forsythe (Auditor). ==Synopsis== ''Not I'' takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage,〔Reading University Library, R.U.L. 1227/7/12/3, a handwritten correction to the typescript〕 everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where Mouth appears to be listening to some inner voice unheard by the audience. The mouth utters jumbled sentences at a ferocious pace, which obliquely tell the story of a woman of about seventy who was abandoned by her parents after a premature birth and has lived a loveless, mechanical existence, and who appears to have suffered an unspecified traumatic experience. The woman has been virtually mute since childhood apart from occasional outbursts, one of which comprises the text we hear. From the text it could be inferred that the woman had been raped but this is something Beckett was very clear about when asked. "How could you think of such a thing! No, no, not at all—it wasn’t that at all."〔Bair, D., ''Samuel Beckett: A Biography'' (London: Vintage, 1990), p 664〕 It seems more likely that she has suffered some kind of collapse, possibly even her death,〔Higgins, A., Samuel Beckett Special Issue of ''Irish University Review: A Journal of Irish Studies'', Vol. 14, No. 1, Spring 1984〕 while "wandering in a field … looking aimlessly for cowslips." The woman relates four incidents from her life: lying face down in the grass, standing in a supermarket, sitting on a "mound in Croker's Acre" (a real place in Ireland near Leopardstown racecourse) and "that time at court", each being preceded by a repeat on the repressed first ‘scene’ which has been likened to an epiphany; whatever happened to her in that field in April was the trigger for her to start talking. Her initial reaction to the paralyzing event is to assume she is being punished by God but finds she is not suffering; she feels no pain, as in life she felt no pleasure. She cannot think why she might be being punished but accepts that God does not need a "particular reason" for what He does. She thinks she has something to tell though doesn’t know what but believes if she goes over the events of her life for long enough she will stumble upon that thing for which she needs to seek forgiveness. In addition to the continued buzzing in her skull there is now a light of varying intensity tormenting her; the two seem related. As in many of Beckett’s works there is a cyclical nature fading in and out to similar expressions suggesting this is a snapshot of a much larger event. The title comes from the character's repeated insistence that the events she describes or alludes to did not happen to her. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Not I」の詳細全文を読む スポンサード リンク
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